It offers a 43.8 x 32.9mm 51.4MP CMOS sensor and uses new G-mount lenses, with a crop factor of 0.79x. 920g vs 1400g Lighter weight. Build Quality of the Fuji GFX 50S. Additional notes regarding these and the recently announced Fuji GF lenses can be found in the next few pages. Once the camera powered up and EVF turned on, it would display white horizontal blocks. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Perhaps Fuji can focus on that in the next iterations of the GFX camera line…. When it comes to the overall sensor size, it is also important to point out the physical size difference between the above-mentioned cameras: As you can see, moving up in sensor size costs a huge premium and the larger you go, the less value you get. The GFX 50R a rangefinder-style mirrorless camera, just 27% bigger in every dimension than Fuji's little APS-C cameras. Many seem to prefer a tilt adapter that allows the EVF to be used in different angles. The Fujifilm GFX 50R is a very exciting camera for a number of reasons. Considering that one can get a new camera with an APS-C sensor for around ~$500 nowadays, does it make sense to move up to a Hasselblad H6D-100c that costs $33 thousand dollars? Looking for a Fujifilm GFX 50S vs Fujifilm GFX 100 comparison? Unlike standard LCDs on other cameras that have information “burned” into them, the top LCD on the GFX 50S is very flexible, so you can fully customize the presentation information from the camera menu if you would like (Setup -> Screen Set-Up -> Sub Monitor Setting). And we are not just talking about half-useful vertical tilting, but also side tilting (similar to what we have previously seen on other X-series cameras like the X-T2), which can be very handy when shooting in vertical orientation hand-held or off a tripod. Now with The Fujifilm GFX 50S things are up to my standards matching easy of use, with image quality and weight to make it a reality and at 80 next 26 March 2017 I feel a rebirth to endeavour my self in the 60/70’s rebirth … I will buy a The Fujifilm GFX 50S to adventure myself again what I could produce at my age. The menu system on the GFX 50S is very similar to that of the Fuji X-T2, so if you are already familiar with the Fuji X-series cameras, you will have no problem navigating and customizing the camera through its extensive and easy to use menu system. I have practically no complaints on the menu system, aside from one bug that has been annoying me forever on all X-series cameras – inability to go back the last state when navigating the setup menu options. Prices for the first three lenses in the system have also been released. So if we purely judge handling based on the overall feel in hands, total weight and size, the Hasselblad definitely comes out on top. Fujifilm seems to start over from scratch with the GFX 50S, a medium format mirrorless with a sensor 1.7x bigger than the 35mm FF sensor. I'd get my GFX-50R body at Adorama, at Amazon, or at B&H (or used at eBay) or get it as part of a kit or with a lens at Adorama, at Amazon or a… Big sensors cost more money to build and require bigger lenses to cover, but the image quality benefits they offer can make it worth the effort. GFX 50S jointly won a Camera Grand Prix Japan 2017 Editors Award. The Fujifilm GFX 50S is available now for a body-only price of $6500. You can customize the camera in many ways and there are plenty of other useful options, such as the ability to map out hot / stuck pixels. We will first start with the front of the camera. The magnesium alloy body looks sharp. Unfortunately, this good old trick did not work every time and it certainly did not make me look from the side, beating up an expensive medium format camera! I wish Fuji kept the grip area smaller and smoother, similar to what Hasselblad has done on the X1D-50c. The overall weight feels minimal. This would have removed the necessity to make the camera appear so bulky when compared to the Hasselblad X1D-50c. It offers a 43.8 x 32.9mm 51.4MP CMOS sensor and uses new G-mount lenses, with a crop factor of 0.79x. The camera does not feel cheap in any way. The GFX 50R is smaller, lighter and cheaper than the original GFX 50S camera that was introduced back in 2016 - it's 25mm thinner, 145g lighter, and costs £1K/$1K less than the 50S. If Fuji found a way to relocate the battery to the grip area, as in the case of the X1D-50c, all that extra bulk from the back of the camera could have been cut off. Overall, the Fuji GFX 50S feels like a very durable camera with fairly good usability and ergonomics. Fujifilm GFX 50R doesn't have a sensor based image stabilization system but 4 of these lenses already comes with Optical Image Stabilization.There are also 11 lenses with weather sealing for GFX 50R that you can couple with its weather sealed body. Generally, larger sensors have better handling of noise, potentially better dynamic range, better colors and with the right set of lenses, can produce beautifully rendered photographs. Let’s go over the camera body in more detail. GFX 50S + GF120mmF4 R LM OIS WR Macro @ 120mm, ISO 100, 1/8, f/8.0 A detailed list of camera specifications is available at While Fuji is known to make stylish retro-style cameras, I cannot describe the GFX 50S as one. I am not sure if I just got unlucky with one of the sample units, but it could definitely be a concern for a potential owner. Speaking of firmware, I am glad that Fuji finally fixed another serious bug – inability to save the Self-Timer state! GFX-50S Launch 2016 System MILC Body Weight 800 g Dimensions 152.4 x 93 x 75 mm Colors black Lens mount Fujifilm G Tripod socket 1/4 in. Just like the Hasselblad X1D-50c, the Fuji GFX 50S features a 50 MP Sony-made medium format sensor that we had previously seen on the Pentax 645Z. They include the GF 63mm f/2.8 R WR for $1500, the GF 120mm f/4 Macro R LM OIS WR for … The Fujifilm GFX 50S is the company's first medium format digital camera. Also, if the camera was turned off and turned back on, the last menu system selection is never retrieved either. It uses the same X Processor Pro as the X-Pro2 and X-T2 and has an 117-point contrast-detect autofocus system. Now with The Fujifilm GFX 50S things are up to my standards matching easy of use, with image quality and weight to make it a reality and at 80 next 26 March 2017 I feel a rebirth to endeavour my self in the 60/70’s rebirth … I will buy a The Fujifilm GFX 50S to adventure myself again what I could produce at my age. I have worked with the GFX 50S for several months and own a GFX 50R, ... without any straps attached with not even realising the weight. However, if the strap is down, you will need to move it upwards to access the side doors. I'd get my GFX-50R body at Adorama, at Amazon, or at B&H (or used at eBay) or get it as part of a kit or with a lens at Adorama, at Amazon or at B&H. In my opinion, even if camera buttons are fully customizable, the default labels for buttons should always be there. Both issues have been addressed via firmware updates and I can confirm that they indeed take care of these problems. Initially, I thought that perhaps Fuji wanted to reduce sensor heat, but that theory does not make sense for one main reason – the battery sits directly behind the camera sensor. Unlike the GFX 50S, the 50R has a viewfinder directly built into the body - over on the left hand side as befits its rangefinder style. The GFX 50S indeed provides movie recording capabilities. The sensor shares the same 43.8×32.9mm dimensions as the previous bodies, but crucially now employs a back-illuminated CMOS design which should reduce noise, compensating for the higher pixel density. Think of the GFX 50S sensor as a crop-sensor medium format, because that’s what it is really…. The bad thing is, the metal ears get in the way of the side doors – both for accessory and memory card doors. [6] The camera's lens mount is the Fujifilm G-mount. VIDEO: 4K ≥ 24 fps, 4K ≥ 60 fps, 8K Ivo de Man - June 23, 2020. When it comes to the EVF, many Fuji GFX 50S owners love its flexibility and modularity. On the top of the LCD you will find the camera on/off switch with the shutter release button on top, along with a tiny exposure compensation (EC) button. These include lower noise and smoother, higher resolution images. Snap Verdict. The best thing you can get. First of all, the grip on the right side of the camera back is anything but comfortable. The physical size and weight of the Fujifilm GFX 50R and the Sony A7R IV are illustrated in the side-by-side display below. bigger. However, Fuji claims that it “customized” the GFX 50S sensor to yield superior image quality, which is not something one can easily see, but something that can be proven via detailed image comparisons that you can find in the Image Quality page of this review. Not only does the latter have less resolution, but it also has smaller pixels, which gives a fairly noticeable advantage to the GFX 50S. Jeff and I both felt that the Canon’s body shape and curves were a bit more comfortable, and I noticed the narrower front “point” area of the Fujifilm grip, … For most people, this is simply a huge waste of money. Speaking of the top LCD, Fuji did a great job with it, since it is very functional and has plenty of space for all the relevant information. As soon as the Hasselblad X1D-50c and Fuji GFX 50s were announced, I wanted one of them. I’m reviewing the new GF 45-100mm zoom lens, but I am just as excited having the GFX 50S in my possession again. It is a practical camera, that packs the highest quality in a much smaller format than a traditional medium format, thanks to … Personally, I did not bother with getting one, because I found the tiltable LCD on the back of the camera to give me enough flexibility when shooting from the top. 2,360K-dot Tilt-Type Color LCD Monitor, Weight: 920g (Camera Body, battery and EVF attached), Dimensions: 147.5mm (W) x 94.2mm (H) x 91.4mm (D). This menu option is currently exclusive to the GFX 50S, but it should be provided in firmware updates to all other X-series cameras! Buy FUJIFILM GFX 50R Medium Format Mirrorless Camera (Body Only) featuring Rangefinder-Inspired Body Design, 51.4MP 43.8 x 32.9mm CMOS Sensor, X-Processor Pro Image Processor, Built-In 3.69m-Dot 0.77x OLED EVF, 3.2" 2.36m-Dot Tilting Touchscreen LCD, 117-Point Contrast-Detection AF System, Extended ISO 50-102400, 3 fps Shooting, Full HD 1080p Video Recording at 30 fps, Bluetooth Low … The GFX 50S features a completely new G lens mount, with three lenses currently available: a 63mm f/2, a 32-64mm f/4 and a 120mm f/4 macro, with three more scheduled to be available later in the year. The camera does not feel cheap in any way. On the GFX 50S, there is now an option called “Save Self-Timer Setting” in the Shooting Menu, which once turned on (off by default), will always save the Self-Timer state. Provia As an example the opening image was taken with the GFX 50S + GF 45-100mm lens at 45mm (approx 35mm equiv.) This ACTUS-GFX version features a bayonet for use of the Fujifilm GFX-50s, Fuji's new medium format mirrorless camera body. So if anything, it only potentially adds to heating concerns (although I never experienced the camera overheating, even with heavy use). Read more about Nasim here. Prices for … [5] The crop factor compared to the 35 mm format as a reference is 0.79. The weight, bulk, and balance of the 5DsR/lens combination and that of the GFX 50S felt roughly similar. At the end of the day, sensor size certainly does matter, but the big question is, how much of a difference is there really between medium format and full-frame sensors? Now, this is a really cool and useful feature that I have never seen on any other camera before! The Fuji GFX 50S is a digital medium format mirrorless cameras and the first in a new line of GFX models. These are a bit awkward to access when shooting, but I cannot see a better place to put them. For example, the Fuji GFX 50S’s pixel size is 5.3µ, whereas the Nikon D810 has a pixel size of 4.88µ. What is the difference between Fujifilm GFX 50R and Fujifilm GFX 50S? We've done the research, so you can choose from the top fujifilm gfx 50s weighton the market. At this point, I had already migrated from a Canon EOS full-frame system to a Fujifilm X-Series kit. The right side of the camera hosts a single door to access the dual SD ports. Take a look at the below illustration: Unlike APS-C and full-frame, medium format does not strictly define one particular size of the sensor. So if you wear a strap, you would be OK changing memory cards as long as the camera is hanging off your neck or shoulder. It roughly the same size as the Panasonic GH5. The first thing you notice when taking the GFX 50R out of the box is just how light it feels. So whether you are looking at the Pentax 645Z, Hasselblad X1D-50c or Fuji GFX 50S, they all share a very similar sensor. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. While Fuji is known to make stylish retro-style cameras, I cannot describe the GFX 50S as one. I have been shooting with the GFX 50S since it was released, so the experience that I am sharing with our readers is based on quite a bit of fieldwork, including international travel. The Hasselblad X1D-50c stole the show with its beautiful design, compact build and leaf shutter lenses, whereas the GFX 50S got Fuji fans excited with its functional camera body, modular EVF, tiltable LCD screen and a lower price point. The GFX 50S feels rather like an X-series camera on steroids and after the early remarks about the price of the GFX 50S with the 63mm lens costing under $10,000 we can now report the official price of the camera will be £6,199 (body only). GFX 50S + GF 45-100mm f/4 @ 45mm. While the Hasselblad X1D-50c is made to appeal photographers of any level, the GFX 50S prioritizes functionality over design, so it’s aimed at enthusiasts and professionals who know what they are doing. Currently, three lenses are available for the system (though availability seems to vary by region). Putting on the straps is an interesting process – there is a metal piece that you need to slide in on the camera pins first, then the strap goes through it. When comparing the EVF performance between the two, I can tell you that the EVF on the GFX 50S is far superior – not just in terms of detail due to higher resolution, but also in terms of refresh rate. While the three medium format cameras technically have more resolution than any other full-frame camera on the market (the closest in resolution is the Canon 5DS / 5DS R), it is not the resolution, but the sensor size that plays a huge role in the overall image quality of a system. The GFX has outstanding build quality. Lastly, the GFX 50S also allows attaching a battery grip, something you cannot do on the Hasselblad X1D-50c. I currently have on loan Fujifilm’s OG digital medium format camera, the GFX 50S. It might not have the sleek design and comfort of the X1D-50c, but given that it is a very functional tool aimed at fairly technical photographers who know what they are doing, I prefer the GFX 50S to the X1D-50c any day. It uses the same X Processor Pro as the X-Pro2 and X-T2 and has an 117-point contrast-detect autofocus system. To be honest, I do not know why Fuji even bothered providing audio ports, since the camera is crippled to 1080p video recording anyway. As a Nikon shooter, I prefer to have main menus and sub-menus located on the left side of the screen and I really like being able to quickly add and remove important menu options in “My” camera menu. The GFX is the most affordable mirrorless medium format camera – Fujifilm GFX 50S body Adorama Store – and, according to many, the best in its category. The GF 45-100mm f/4 is no exception to this but is not unreasonably large and heavy at almost exactly 1 kilogram (2.2 lb) and 144.5 mm (5.69”) long when zoomed to … The new Fujifilm GFX 100 builds on these cameras with more processing power, a 100Mp backside-illuminated (BSI) sensor and 5-axis in-body image stabilisation (IBIS). GFX 50R: 160.7mm x 96.5mm x 66.4mm, 775g (including battery, memory card) Thanks to its focal plane shutter and a relatively short flange distance, it is also possible to adapt many different lenses from other systems, the advantage the X1D cannot compete with. While jumping from an APS-C sensor to medium-format would be huge, moving up from full-frame to medium format is not going to show night and day differences in image quality. You can follow him on Instagram and Facebook. Take a look at the below comparison and you will see exactly what I mean: That’s a massive difference in camera width between the two, with Hasselblad X1D-50c looking much slimmer and sleeker in comparison. Find out which is better and their overall performance in the camera ranking. The “Drive” modes on the GFX 50S are moved to a small button to the right of the shutter speed dial, while a tiny button on the bottom left of the top LCD is there to reverse the colors of the LCD when shooting in dark conditions. And once you factor in the size and the weight advantages of the Fuji GFX 50S over a pro-level full-frame DSLR, it starts to make even more sense. PL provides various digital photography news, reviews, articles, tips, tutorials and guides to photographers of all levels, By Nasim Mansurov 75 CommentsLast Updated On July 2, 2020. Three consecutive views from the front, the top, and the rear side are shown. Fujifilm’s legacy in color science has helped create one of the most widely-acclaimed digital color processing engines in the world. The highest resolution format that the GFX 50S can use is 1080/30p. I’m grateful for their support in lending me the gear necessary to write the review, but it should be clear that my views on the Fujifilm GFX 50S remain impartial and based on my own personal experiences with the camera.. There is a huge cost premium involved when moving up to the largest 53.5mm x 40mm sensors too (for example, the Hasselblad H6D-100c retails for $33K, far more than what the GFX 50S goes for). Fuji left very little space on the top and the bottom of the camera, which shows that the engineers wanted to make the camera as compact as possible, obviously without any serious compromises. EXTENSIVE UPDATE 2020 This Fujifilm GFX 50S review is the most extensive and complete review of this camera to date (continuously updated with everything new in the GFX world), also covering shooting long exposure, which hasn’t been covered before with this camera. The Fujifilm GFX 50S is a compact system camera with a 51.4 megapixel 43.8mm x 32.9mm medium-format CMOS sensor. BODY FEATURE: In-Body Image Stabilization, Weather Sealed. To make sure that the LCD matches the image sensor, Fuji made the LCD screen in 4:3 aspect ratio, so there is no dead space on either side of the frame. I was a bit worried about higher power consumption with such an LCD, but it turned out to be a non-issue, as explained in the Battery Life section of this review. Unlike the X-series cameras, the GFX 50S has way too many ridges and protruding elements all over its body and with an attached EVF (see additional notes on the EVF further down in the review) plus a boatload of buttons, it looks like a complex and possibly even an intimidating camera. The GFX 50S is less expensive. Second, when shooting in manual or AF-S focus modes, the camera would occasionally shift lens focus when half-pressing the shutter release, making it appear that lenses have very serious focus shift issues. If I banged the EVF with my hand, the blocks sometimes went away and EVF went back to normal. 0. While the X1D-50c does not have very basic functionality such as auto exposure bracketing or extended intervalometer / time-lapse features, the GFX 50S is stuffed with all kinds of menu options and features that are expected to be found on a modern camera. In fact, when doing discreet street photography, using a tiltable EVF would have definitely let my subjects know that I am pointing the camera at them, whereas using the tiltable LCD allowed me to remain more or less unnoticed since I appeared as if I was just looking down at the camera. It's worth waiting for it to go on sale so you can use the savings for the 1.4x. All of the images presented in this review were captured with the three lenses that Fuji announced with the GFX 50S: Fujinon GF 32-64mm f/4 R LM WR (~25-50mm full-frame equivalent), Fujinon GF 63mm f/2.8 R WR (~50mm full-frame equivalent) and Fujinon GF 120mm f/4 Macro R LM OIS WR (~95mm full-frame equivalent). One has to either press the buttons and experiment with them to see what they do or dig in the camera menu to find the answers. Just like medium format film cameras in the past, the GFX 50R has been developed in pursuit of a compact and lightweight system while delivering the ultimate picture quality for everyday snapshots and street photography. Aug 03, 2020 at 10:12 PM: k … Fuji GFX 50S + Fujinon GF32-64mm F4 R LM WR K-H. ... gives you 50mm more reach, and can be extended to 350mm f/5.6– if you don't mind the weight in your bag and the sticker-shock price. Introduction. The new camera was announced on January 23, 2019. The VG-GFX1 vertical battery grip allows easier shooting in vertical orientation and you can double the battery capacity of the camera by inserting an additional NP-T125 battery into the grip. I am definitely not a big fan of such a tiny EC button, which makes it practically impossible to use it with gloves on. Build Quality of the Fuji GFX 50S. One should understand that moving up to “medium format” can differ quite a bit depending on what size of medium format sensor one chooses. Ability to attach/detach EVF and other accessories using the flash socket is a great idea, especially if Fuji is planning to release additional accessories and offer future EVF upgrades. The promise of Medium Format in a cheaper, smaller package was incredibly alluring. The GFX has outstanding build quality. On the positive note, the back LCD screen on the GFX 50S is wonderful, not just because of its large size and high resolution, but also because it is a tilting type.   ⋅   The only area I would be worried about is the top LCD – if you drop anything sharp and heavy on it, the glass cover might break and destroy the LCD, which would probably not be cheap to replace. It is noticeably thinner (2.5cm less) but wider by 1.3cm. The GFX 50S and FUJINON GF Lenses culminate to create a new camera system capable of creating the world's highest level of photographic expressions by combining the thorough incorporation of knowledge regarding exterior design, optical design, image quality design, and circuit design which Fujifilm has accumulated over many years of developing photographic film, medium/large format … The right compartment is for video – it contains a microphone input and a headphone jack. I doubt anyone who is serious about video would even consider a medium format camera, since the readout speed is simply insufficient to be able to push so much bandwidth through. If Fuji addresses some of the concerns I brought up above in the next generation GFX, it will feel much more thought-out and complete in comparison. This would also eliminate the awkward-to-access switches and buttons in this area and make the GFX 50S appear like the X-series cameras. Using view camera movement the photographer will be able to be more versatile, be more creative and will be getting more professional results much faster than before. Let’s now move on to the back of the camera, which looks like the following: I definitely have a few ergonomic complaints here. The Fujifilm GFX 50S is a mirrorless medium format camera produced by Fujifilm. In our Fujifilm GFX 50S review, we take a look at what may the most promising medium format camera to come along in some time. The Fujifilm GFX 50S is the company's first medium format digital camera. First, since the GF lenses use fly-by-wire focusing, the focusing state would not get saved when playing back images or turning off the camera. Still, I wish Fuji engineers came up with a slightly cleaner design that made the camera a little bit more attractive, so that it feels a bit more “premium” when compared to other medium format cameras on the market. Nasim Mansurov is the author and founder of Photography Life, based out of Denver, Colorado. Sample Images Intro Specifications Accessories Performance Compared User's Guide Recommendations More Fujifilm GFX 50R (27.2 oz./772g with battery and one SD card, has two SD slots, $3,999 new or about $3,700 used if you know How to Win at eBay) and Fujifilm GF 32-64mm f/4.

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